Teie te hoê hi'oraa vitiviti no te mea Te mau nota Te na ô ra oia e:

• Timeline-based animation, automatic tweening, all object' and filters'
• Te mau tao'a tauturu : Bezier curve, ellipse, rectangle, parau papa'i, hoho'a purumu
• Ua faaohipa oia i te parau pia a MyPaint ei matini peni, ma te ti'aturi i ni'a i te mau hoho'a peni a Qt
• Ships with a basic selection of blending and compositing modes for objects (Porter-Duff, as well as Screen, Overlay, Color Dodge, Color Burn etc.)
• Supports multiple scenes per project
• Imports image sequences, video and audio files
• Outputs anything that FFmpeg supports
• Has separation into core and GUI and supports pluggable path and raster effects, including GLSL fragment shaders
• Has configurable preview resolution for better performance control, you can use presets or input anything between 0% and 999%
• Works on Linux, can be made to run on Windows and macOS (Qt)

From the UX perspective, Te mau nota is a bit of a cross between Inkscape and Blender, which has a lot to do with Maurycy being an avid user of both, professionally. Just a few examples:

• You can use the path editing tool to edit rectangles and ellipses.
• When you edit a path, Te mau nota shows control points for two adjacent nodes so that you could easily tweak the shape.
• You can use G, S, and R shortcuts for moving, scaling, and rotating respectively, and for scaling, you can press X or Y to constrain the transformation to just one axis.
• The timeline design resembles that of Blender’s Dope Sheet, with the benefit of providing direct access to numeric values of various settings.
• Similarly to Bender, a panel can be duplicated vertically or horizontally, so that you could e.g. have access to different areas of the timeline or the canvas.